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<oembed><version>1.0</version><provider_name>Kwesi Johnson</provider_name><provider_url>https://kwesijohnson.net</provider_url><title>How to navigate around the gatekeepers in dance. - Kwesi Johnson</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="umpBpxuPDr"&gt;&lt;a href="https://kwesijohnson.net/index.php/2016/04/05/dance-business-models/"&gt;How to navigate around the gatekeepers in dance.&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://kwesijohnson.net/index.php/2016/04/05/dance-business-models/embed/#?secret=umpBpxuPDr" width="600" height="338" title="&#x201C;How to navigate around the gatekeepers in dance.&#x201D; &#x2014; Kwesi Johnson" data-secret="umpBpxuPDr" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>TweetI&#x2019;m going to talk about dancers and choreographers and the arts in general about futureproofing themselves for when there is even less funding to support the arts. Organisations and individuals have seen the&#xA0;&#x2018;no funding&#x2019; hurricane looming on the horizon for years but aren&#x2019;t fully preparing for it because they think the sun will shine forever. [&hellip;]</description></oembed>
